A Korean series that reached a Netflix weekly top 10 in 35 of 93 countries, holding 122 chart places across 7 weeks between 2023-06-18 and 2023-07-30. Its best position anywhere was number 2.
It reached 35 of the 93 countries — further than 80% of the Korean series in this data. Its longest presence was in Indonesia, where it held 7 chart places. Its widest single week was 2023-07-02, when it sat on 29 country charts at once.
| Market | Places | Best position | First week | Last week |
|---|---|---|---|---|
| Bahrain | 1 | 8 | 2023-06-25 | 2023-06-25 |
| Bangladesh | 5 | 5 | 2023-06-25 | 2023-07-30 |
| Bolivia | 5 | 5 | 2023-07-02 | 2023-07-30 |
| Chile | 2 | 6 | 2023-07-02 | 2023-07-09 |
| Colombia | 2 | 10 | 2023-07-09 | 2023-07-23 |
| Costa Rica | 1 | 9 | 2023-07-09 | 2023-07-09 |
| Ecuador | 2 | 4 | 2023-07-02 | 2023-07-09 |
| El Salvador | 3 | 4 | 2023-07-02 | 2023-07-23 |
| Guatemala | 2 | 7 | 2023-07-02 | 2023-07-09 |
| Honduras | 4 | 4 | 2023-07-02 | 2023-07-23 |
| Hong Kong | 6 | 2 | 2023-06-25 | 2023-07-30 |
| India | 2 | 8 | 2023-07-02 | 2023-07-09 |
| Indonesia | 7 | 2 | 2023-06-18 | 2023-07-30 |
| Japan | 3 | 5 | 2023-06-25 | 2023-07-09 |
| Kuwait | 1 | 10 | 2023-06-25 | 2023-06-25 |
| Malaysia | 7 | 3 | 2023-06-18 | 2023-07-30 |
| Maldives | 3 | 5 | 2023-06-25 | 2023-07-09 |
| Mexico | 2 | 7 | 2023-07-02 | 2023-07-09 |
| Nicaragua | 4 | 4 | 2023-07-02 | 2023-07-23 |
| Nigeria | 1 | 10 | 2023-06-25 | 2023-06-25 |
| Oman | 2 | 8 | 2023-06-25 | 2023-07-02 |
| Panama | 1 | 10 | 2023-07-09 | 2023-07-09 |
| Paraguay | 2 | 8 | 2023-07-02 | 2023-07-09 |
| Peru | 5 | 5 | 2023-07-02 | 2023-07-30 |
| Philippines | 6 | 2 | 2023-06-25 | 2023-07-30 |
| Qatar | 3 | 5 | 2023-06-25 | 2023-07-09 |
| Saudi Arabia | 2 | 8 | 2023-06-25 | 2023-07-02 |
| Singapore | 6 | 3 | 2023-06-25 | 2023-07-30 |
| South Korea | 7 | 3 | 2023-06-18 | 2023-07-30 |
| Sri Lanka | 3 | 5 | 2023-06-25 | 2023-07-09 |
| Taiwan | 6 | 3 | 2023-06-25 | 2023-07-30 |
| Thailand | 6 | 5 | 2023-06-18 | 2023-07-23 |
| United Arab Emirates | 2 | 7 | 2023-06-25 | 2023-07-02 |
| Venezuela | 1 | 9 | 2023-07-02 | 2023-07-02 |
| Vietnam | 7 | 2 | 2023-06-18 | 2023-07-30 |
Markets are in alphabetical order, not in order of size. A market name is a link only where that country has a page of its own; the rest are plain text rather than a link that goes nowhere.
What a place is. A place is one appearance in one country's weekly top 10. A title that sat at number 4 in Vietnam for three weeks holds three places there. Reach counts the countries a title appeared in at least once, out of 93.
Charted here is not the same as available here. A chart place does show the title was on Netflix in that country that week — that much follows. The reverse does not: a country missing from this list may still have carried the title without it reaching a top 10. We hold chart lists, not catalogue listings, and we do not guess the difference.
We will not say, and neither can the chart. Netflix's country lists record that a title held a top-ten place in a country in a week. They do not record how many people watched it, what it cost, or what anyone expected of it — and those are the three things the words hit and flop are actually about.
What we can tell you is where it sits. Of the 546 Korean titles with a page here, 113 reached more markets than See You in My 19th Life and 431 reached fewer. It travelled further than the typical Korean title that charted at all, which reached 2.
That is a position, not a verdict. A title can hold a hundred chart places in small markets and a title can hold four in the largest ones; the file does not say which of those a person means by success. You have the shape — the judgement is yours.
| See You in My 19th Life | Median Korean title that charted | |
|---|---|---|
| Markets reached | 35 | 2 |
| Weeks on a chart somewhere | 7 | 4 |
| Chart places held | 122 | 5 |
The median is taken across all 974 Korean titles that reached any country top 10, most of which charted in one or two markets. This is a comparison, not a ranking — we do not publish a league of titles, and a title well above the median is a title that travelled, not a title that is better.
It reached 35 markets in all. The most that held it in the same week was 29 — the week of 2023-07-02.
Those two figures are different achievements. Reaching 35 markets over 7 weeks and holding 29 of them in one week are not the same event, and a single "markets" column cannot tell them apart. Netflix publishes neither figure; both are counted here from the weekly country lists.
How it left. Counting each country separately, it ended 38 runs on a chart. The middle one ended from position 8, and 21 of 38 ended from positions 8 to 10. Across all Korean titles that figure is 56.8%, and it would be 30% if leaving had nothing to do with position — how a title leaves has the whole table.
Other Korean titles on this site that share a named person or a credited company with See You in My 19th Life. The reason is given beside each one, because a shared name is the only claim being made — not that the two are alike.
The same weekly files, cut five other ways. Each of these answers a question this page cannot: not what happened to See You in My 19th Life, but what happened around it.
| Company | Credited as |
|---|---|
| CJ ENM Entertainment Division | Distribution (배급) |
| Studio Finecut | Production (제작) |
| Studio N | Production (제작) |
| TVING | First broadcast (첫방송) |
| tvN | First broadcast (첫방송) |
From Wikidata, listed alphabetically. Company names link through to a sheet where we hold one; we publish a sheet only for companies whose catalogue we can see completely, so most names here are text. A credit is not a share of the work — it records that a company is attached, not how much of the budget or the decision it held. Companies inside one corporate group are listed separately because we did not confirm the ownership tree. The credit type is given in English with the original Korean label in brackets, because that label is what the filing says and translating it away would hide the source.
4 names recorded as Korean, alphabetically. Wikidata cast lists are incomplete and skew toward better-known names, so this is not a full cast list and a short one does not mean a small production.
Ahn Bo-hyun · Ahn Dong-goo · Ha Yoon-kyung · Shin Hae-sun
4 of these 4 names have pages of their own here, showing every other charting title they appear in and how far each one travelled. The rest do not, because we hold fewer than two charting titles for them.
We are not going to rule on that, and neither can anyone else working from this data. Netflix publishes no budget, no revenue and no viewing hours by country, so a chart position cannot be turned into a verdict. Several Korean titles opened in cinemas first, and that run is not in this data at all.
What we can give you is the thing the word “flop” is really reaching for: somewhere to stand. Of the 974 Korean titles that entered any country’s Netflix weekly top 10 between 2021-07-04 and 2026-08-23, here is where See You in My 19th Life sits.
| Measure | See You in My 19th Life | Where that puts it |
|---|---|---|
| Countries that charted it | 35 | wider than 859 of 974 titles; 1 others reached exactly as many |
| Weeks on any chart | 7 | longer than 705 of 974 titles |
| Best position reached | 2 | higher than 543 of 974 titles |
“Number one on Netflix” is not the rare part. 304 of 974 titles — 31% — have been number one in some country in some week, and 65 of those 304 were number one in the only country that ever charted them. Read a rank next to the reach, not on its own. The full distribution, and what it can and cannot say.
We are not recommending anything. We have no idea what you like, and Netflix publishes nothing about who watched what. What we can tell you is which other Korean titles were on the same country’s top 10, in the same week as See You in My 19th Life — the list you saw it on. That is a fact about a published chart, and it is the whole of what we are claiming.
| Title | Country-weeks shared |
|---|---|
| King the Land | 96 |
| Celebrity | 77 |
| Bloodhounds | 56 |
| The Good Bad Mother | 28 |
| Doctor Cha | 21 |
| Doom at Your Service | 18 |
| Dream | 10 |
| Agency | 7 |
| D.P. | 7 |
| The Uncanny Counter | 7 |
See You in My 19th Life shared a country’s weekly top 10 with 32 other Korean titles across 385 country-weeks in total. The table shows the 10 it sat beside most often, and only those with a page here.
A big number here mostly means the title lasted. A show that held a country’s top 10 for a year sits beside almost everything; a show that charted for one week in one country can sit beside at most nine other titles ever. It does not mean the same people watched both, and it does not mean the two are similar. How we counted this, across every title.
Every Korean title that has charted · Looking for one particular week? · How far a company's catalogue travels · How we count