Sat Sep 05 — 93 countries took KPop Demon Hunters into a Netflix top 10, number one in 76 of them. A trade headline says DreamWorks is answering with Forgotten Island. We counted what is being answered — Korea sat exactly at the median.
Sun Aug 09 — Titles with six to ten weeks on Korea's own Netflix chart reached ten countries 56.5% of the time, against 11.4% for those with one or two. But 29 reached twenty countries without ever charting in Korea.
Sat Aug 08 — Across 493,600 country-chart rows, 18,586 weekly lists put one title in two or more places. One show has held seven of the ten. Seasons explain some of it.
Sat Aug 08 — Measured on all 246 Korean titles instead of the fifty largest, the number-one group runs five weeks to everyone else's two. Hold length fixed and the gap that is left is 1.3× among titles that lasted six to ten weeks.
Sat Aug 08 — We asked Wikidata which country made each of our 421 chart titles. Films come back ambiguous 54.1% of the time, series 22.5%. Short names are why.
Sat Aug 08 — Our panel never had a denominator. Wikidata records 785 Korean series and 1,126 Korean films from the chart era; 249 series and 172 films reached a Top 10. Series are twice as likely to be seen at all.
Sat Aug 08 — Film, video and audio production is 56.9% women. Publishing and games is 34.1%. Both sit above the whole listed market. The 22.8-point gap inside one sector is the larger fact and the filings do not explain it.
We hold 417 tags in all. 242 of them are on a single piece, and we do not publish a page for those — the tag still shows on the article, it just does not become an address of its own.