Sun Oct 04 — Across 93 countries and 268 weeks, Korean titles took 30.2 per cent of Vietnam's Netflix top 10 slots and 1.6 per cent of America's. Where the share is small, one show is nearly all of it.
Mon Aug 10 — When a Korean title reaches a market's top three, the other Korean titles there fall by 0.403. Non-Korean arrivals cost 0.013. That looks decisive until you notice the two groups start from different heights.
Mon Aug 10 — For each of 93 markets we took the median breadth of the Korean titles that reached it. Korea's own chart: 2. Estonia, Slovenia, Switzerland: 77, 76, 72. Most of that gap is how often a market plays Korean titles at all — but not all of it.
Sun Aug 09 — Of 135,036 times a Korean series reached two countries charts, 58.1% arrived in both the same week. Where one did come first, only 1 of 8,333 country triples contradict each other — the markets form one stable order.
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