Thu Sep 24 — Of the four titles we checked against Netflix's own weekly country tables, KPop Demon Hunters topped 76 of the 93 countries carrying it (81.7%). Agent Kim topped only 25 of 81 (30.9%).
Thu Sep 24 — Not one show — 30 different Korean titles traded the number-one TV spot on South Korea's own Netflix chart 32 times, without a single non-Korean title breaking in, from April 2022 to December 2023.
Thu Sep 24 — The Great Flood and Squid Game both peaked at number one in 93 countries, the widest reach in our panel of 974 Korean Netflix titles. Squid Game stayed on the charts 60 weeks. The Great Flood managed 11.
Sun Sep 06 — I Am Solo is heading to Netflix in over 190 countries. Netflix publishes weekly top tens for 94. Of 974 Korean titles that ever charted anywhere, the median reached 2 countries and 447 reached exactly one.
Sun Sep 06 — People search the phrase for individual Korean films and shows. The Netflix files cannot answer it — but they can say where a title stands among 546. Reaching No.1 in some country turns out to be the common case, not the rare one.
Sun Aug 09 — Titles with six to ten weeks on Korea's own Netflix chart reached ten countries 56.5% of the time, against 11.4% for those with one or two. But 29 reached twenty countries without ever charting in Korea.
Sun Aug 09 — Among 170 Korean titles that reached 20 countries or more, the first week already holds a median 40% of the countries they ever reach. But 58 of them started under 25% and 38 were nearly everywhere at once.
Sat Aug 08 — They are a different kind of title: 2.20 markets on average against 4.63, and one in seven reaches #1 against one in two. Netflix's Korean chart is not a smaller version of the regional one — it is a different chart.
We hold 417 tags in all. 242 of them are on a single piece, and we do not publish a page for those — the tag still shows on the article, it just does not become an address of its own.