A Korean film that reached a Netflix weekly top 10 in 2 of 93 markets, holding 5 chart places across 3 weeks between 2026-08-02 and 2026-08-16. Its best position anywhere was number 1.
What a place is. A place is one appearance in one country's weekly top 10. A title that sat at number 4 in Vietnam for three weeks holds three places there. Reach counts the countries a title appeared in at least once, out of 93.
We will not say, and neither can the chart. Netflix's country lists record that a title held a top-ten place in a country in a week. They do not record how many people watched it, what it cost, or what anyone expected of it — and those are the three things the words hit and flop are actually about.
What we can tell you is where it sits. Of the 559 Korean titles with a page here, 364 reached more markets than Wild Sing and 143 reached fewer. It travelled further than the typical Korean title that charted at all, which reached 2.
That is a position, not a verdict. A title can hold a hundred chart places in small markets and a title can hold four in the largest ones; the file does not say which of those a person means by success. You have the shape — the judgement is yours.
| Wild Sing | Median Korean title that charted | |
|---|---|---|
| Markets reached | 2 | 2 |
| Weeks on a chart somewhere | 3 | 4 |
| Chart places held | 5 | 5 |
The median is taken across all 976 Korean titles that reached any country top 10, most of which charted in one or two markets. This is a comparison, not a ranking — we do not publish a league of titles, and a title well above the median is a title that travelled, not a title that is better.
It reached 2 markets in all. The most that held it in the same week was 2 — the week of 2026-08-02.
Every market it ever reached held it at the same time, which is what a simultaneous opening looks like in this data.
How it left. Counting each country separately, it ended one run on a chart (1 more is still on a chart in the last week we hold, so it has not left). The middle one ended from position 7, and 0 of 1 ended from positions 8 to 10. Across all Korean titles that figure is 56.8%, and it would be 30% if leaving had nothing to do with position — how a title leaves has the whole table.
| Market | Places | Best position | First week | Last week |
|---|---|---|---|---|
| South Korea | 3 | 1 | 2026-08-02 | 2026-08-16 |
| Taiwan | 2 | 7 | 2026-08-02 | 2026-08-09 |
Markets are in alphabetical order, not in order of size. A market name is a link only where that country has a page of its own; the rest are plain text rather than a link that goes nowhere.
Other Korean titles on this site that share a named person or a credited company with Wild Sing. The reason is given beside each one, because a shared name is the only claim being made — not that the two are alike.
The same weekly files, cut five other ways. Each of these answers a question this page cannot: not what happened to Wild Sing, but what happened around it.
4 names, alphabetically. Wikidata cast lists are incomplete and skew toward better-known names, so this is not a full cast list and a short one does not mean a small production.
Gang Dong-won · Oh Jung-se · Park Ji-hyun · Um Tae-goo
Every Korean title that has charted · How far a company's catalogue travels · How we count