Stars · film
Lee Jung-jae Drew 10% of Squid Game's Wikipedia Peak. Hyun Bin Drew 34% of a Smaller One
Across 12 Korean titles whose English Wikipedia pages spiked, the bigger the show's own peak, the smaller its lead actor's share of that peak — a correlation of -0.68 on a hand-picked dozen, not a random sample.
The table this is written from: /fictional-vs-real
Twelve Korean titles, a mix of films and shows whose English Wikipedia pages are known to have spiked at some point, give a clean pattern when you ask one question of each: on the single day each title’s own page peaked, how much of that peak’s traffic went to its best-known cast member, measured the same way?
The bigger the peak, the smaller the actor’s share of it
| Title | Title’s peak-day views | Best-drawing cast member | Their views, same day | Share |
|---|---|---|---|---|
| Parasite | 2,696,922 | Song Kang-ho | 105,177 | 3.9% |
| Squid Game | 889,821 | Lee Jung-jae | 92,964 | 10.4% |
| All of Us Are Dead | 225,923 | Cho Yi-hyun | 39,862 | 17.6% |
| Crash Landing on You | 131,083 | Hyun Bin | 44,880 | 34.2% |
| Hellbound | 108,058 | Kim Hyun-joo | 12,977 | 12.0% |
| Sweet Home | 106,217 | Song Kang | 19,439 | 18.3% |
| The Glory | 102,540 | Song Hye-kyo | 27,338 | 26.7% |
| Itaewon Class | 74,543 | Park Seo-joon | 23,054 | 30.9% |
| Extraordinary Attorney Woo | 69,017 | Park Eun-bin | 20,136 | 29.2% |
| Kingdom | 63,783 | Ju Ji-hoon | 11,142 | 17.5% |
| The Silent Sea | 59,760 | Gong Yoo | 13,678 | 22.9% |
| Mousetrap | 23,512 | Ryu Jun-yeol | 5,427 | 23.1% |
Sorted by the title’s own peak, the pattern runs almost straight down: Parasite’s 2.7 million-view peak day sent only 3.9% of that traffic to its most-looked-up actor, Song Kang-ho. Crash Landing on You’s much smaller 131,083-view peak sent more than a third of it — 34.2% — to Hyun Bin. Across all 12, the correlation between a title’s own peak size and its lead actor’s share is -0.68 (t = -2.92 on 10 degrees of freedom).
The lead actor was not our pick
We did not choose who counts as each title’s “lead” before measuring. We pulled every credited cast member’s page and read all of them on the title’s own peak day, then used whichever one actually drew the most views. Guessing in advance would have been wrong twice here — Hellbound’s biggest draw is Kim Hyun-joo, not the ensemble’s top-billed name, and the same is true for The Silent Sea, where Gong Yoo leads.
What could be doing this instead of what it looks like
This sits beside our running fictional-vs-real count, which asks a related question — whether a title’s own page draws more English-language attention than the people in it. Two things push against reading this new pattern as “megahits are about the story, not the star.” First, the biggest peaks in this set — Parasite, Squid Game — are also the titles with the most credited cast members we could measure (9 and 14), which mechanically spreads the same pool of attention across more pages and shrinks any one person’s slice. Second, cast coverage is uneven: Crash Landing on You is missing 10 of a possible 25 cast pages from this count, and a title missing rows could show a share that is higher or lower than its true one for that reason alone, not because of anything about audience attention. We’re publishing the correlation with both of those caveats attached, not as a settled account of why it holds.
Every value here is same-day: the actor’s page is read on the exact date the title itself peaked. Actor pages commonly peak a day or two after a title’s own peak, once a cast is being searched by name rather than the title’s headline. That makes every share in this table a floor on how much of a title’s attention eventually reaches its lead — not the final word on it.
Where these numbers come from
Sources
- Wikimedia Foundation — Pageviews API — Daily pageviews on English Wikipedia, all-access, user agents only, for each title's own article and every credited cast member's article, on the title's own single highest-traffic day. · https://wikimedia.org/api/rest_v1/
What we checked
- The lead actor was not chosen by us. We measured every credited cast member on the show's own peak day and used whoever actually drew the most views — hand-picking would have been wrong twice in this set (Hellbound's top draw is Kim Hyun-joo, not its top-billed name; The Silent Sea's is Gong Yoo).
- The correlation: r = -0.68 across the 12 titles (t = -2.92, 10 degrees of freedom) — the bigger a title's own peak, the smaller its lead actor's share of it. Parasite peaked at 2,696,922 views with its top actor at 3.9%; Crash Landing on You peaked at 131,083 with its top actor at 34.2%.
- This is same-day pairing — the actor's value is read on the exact date the show peaked. Actor pages often peak a day or two later, so every share here is a floor, not a ceiling, on how much of a show's attention eventually reaches its lead.
- Coverage of cast is uneven by title. Squid Game measured all 14 credited names with none missing; Crash Landing on You measured 15 of a possible 25, with 10 uncounted; All of Us Are Dead measured 5 of 10. A title with thinner cast coverage could show an inflated or deflated share purely from missing rows, not from the pattern itself.
What we left out, and why
- Any claim this holds beyond these 12 titles. They were picked because their Wikipedia pages are known to have spiked, not drawn at random from Korean film and television — the correlation describes this dozen, not the medium.
- Any claim about acting quality, screen time, or who 'carried' a title. This counts English Wikipedia lookups on one day, nothing about the performance itself.
- Any claim about non-English audiences. English Wikipedia is one readership among many, not a global stand-in.
- Streaming numbers, box office or award outcomes. None of it is data we hold a licence to republish, so this counts a different, open well: who a reader looked up, and when.
The data behind this
Written from the same data
If you work in this business
Everything on this page is measured from the same weekly Netflix lists, per market and per title. We publish the pages free; what we sell is the same measurement cut to one company's catalogue — including the figures behind /fictional-vs-real.
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