Korean pop culture, in numbers

When a Korean hit arrives, do the other Korean titles lose their places

When a Korean title arrives at the top of a market, do the other Korean titles there lose their places?

We published the sentence "there is one Korean slot and the biggest title takes it" as an explanation on /hard-markets without measuring it.

The raw numbers, which cannot be read on their own

Arrivals at the top 3CasesOther Korean titles beforeChange after
Korean title arrives2,2581.916-0.395
Any other title arrives36,6540.563-0.014

Titles. The count is of *other* Korean titles on that chart, with the arriving title removed.

A Korean title reaches the top three most often in markets that already carry several Korean titles, and a chart that starts high falls whatever arrives. The control is weighted to the same starting levels as the Korean cases.

The same measurement, with the starting level held fixed

Other Korean titles beforeKorean arrivalsChangeOther arrivalsChangeDifference
06430.1321,4590.157-0.027
1527-0.23710,634-0.188-0.049
2347-0.5192,808-0.296-0.222
3357-0.6171,294-0.503-0.114
4 or more384-1.173459-0.875-0.298

At the bottom row of the table there is no effect at all: a market with no other Korean title gains 0.13 after a Korean arrival and 0.157 after any other, so the difference is -0.027.

Weighted to the same starting levels, the control falls -0.273 where the Korean cases fall -0.395. What is left is -0.12268% of the raw gap of -0.381 was the starting level, not the arrival.

How this was counted, and what it cannot say

It shows places, not why they moved. A title leaving after a hit arrives may be ending its own run rather than being displaced, and nothing in a rank table separates the two.

Which markets only take the wide titles · How a title leaves · Not one a week · How we count

What we wrote from this data